|
Sent:
Tuesday, August 17, 2004
To: advise@karateangels.com
Subject: Michele
Hi Michele,
I am 14 year old male and a brown belt in
Shotokan style karate. I wanted to ask you a
question. How do kids get to do commercials for
tv? I have seen some, in fact quite a few
commercials with martial arts in them. I live
near Pittsburgh, Pa., which people say it is the
Hollywood of the east. Do I need an agent or can
mom be my agent? Do we contact cereal makers, or
companies that have kids using their products,
for possible future martial arts commercials? I
am the star student at the dojo, black belts
nicknamed me. I have a website for my martial
arts achievements. I have over 150 trophies,
awards, medals, and two $1000 scholarships for
best overall points in my division. I am a
member of Kumite International Karate team,
compete in USA and Canada. I also am a 3 year
Pennsylvania State Champion in Kata, sparring (kumite)
and weapons (bo) from,
Eddie
Dear Eddie,
You will need an agent. It is possible for your
Mother to be your agent but it would be very
hard at the start. You see, the agent knows all
the casting people who audition actors for
commercials and film. It could take your Mom a
few years to get all the contacts you would
need. Since you are in Pa., you should be able
to find a good agent not far from you. First
check sag.com for union agents listed near you.
You will then need to send them your head shot
and resume and then have your Mom do a follow up
call. A parent must sign your contract when you
are under 21 (18 on some contracts) so it is
good to have your parent involved all the way.
Just for the record, you cannot contact cereal
makers directly. They do not make their
commercials themselves. So you know the order, I
have made a fictional scenario to follow:
Kellogg's has a new product…so
they hire an add agency like B.B.D.& O. The
add agency comes up with ideas for the
commercial and script it out. Then Kellogg's
tells if they like the idea or not. If they like
it, the add agency then hires a shooting crew
and a casting director. They give a list of what
types of actors they need to the casting
director. The casting director then calls all
the agents they know and tells them what to
send. The agent calls up the actors and tells
them what time to audition and where to be. If
the casting people like the actor they call the
agent back up to negotiate a contract.
Now you may understand why it would be the wrong
approach to try and contact cereal makers
themselves. In a union area like your state, you
can submit to casting people without an agent as
per SAG rules. That will take you much longer
than finding an established agent. Start
searching for agents and do not be afraid to ask
around. If you know any other people who have an
agent ask if theirs is good. Make sure you call
the Better Business before you sign with anyone!
Remember no matter how good you are there might
be someone better. Only the best make it, so you
will be up against the best. Be ready for that!
I hope that gets you started. Feel free to write
back if you need more help.
Michele
From:
Oscar Barragan
Sent: Wednesday, August 11, 2004
To:
advice@karateangels.com
Cc:
Oscar Barragan
Subject:
Hi
Hello
Michele Seidman:
My
name is Oscar Barragan and I have been
practicing martial arts since I was 6 years old,
now I am 33 I have 6 black belts in different
styles Judo (grappling), aikido (joint locks),
karate (stand up fighting), kendo (sword
fighting), Kyushu (vital points) and Kobudo (old
Japanese weapons). As you can see I have been
dedicating all my life to the study and
development of traditional Japanese martial
arts. I grew up in Mexico City and I have the
opportunity to train with the best of the best
Japanese teachers in Mexico. Now I live in
Chicago. So I was wondering what I can do to
start doing action movies or martial arts
choreography for movies. I think I am a very
talented martial artist and I have not found the
opportunity to show how good I am. I will like
for you to tell me to whom I can contact or have
an audition to start doing what I love which is
martial arts in the USA. Thank you for your time
to read this email and I hope I can hear from
you soon and that you can help me out.
Thank
you and God bless you
Dear
Oscar,
It
sounds as if you have all the training you could
need to get involved with MA for film except two
things. 1) Contacts. 2) Film fighting
techniques.
I
suggest the following for you. Get a headshot
together and start going to see agents in
Chicago. Films do shoot there and unless you are
ready to pack up and move, you can get started
where you are. You will need to get a few films
under your belt before you should consider
setting up fight scenes for film. As I have
mentioned to others and in the article posted on
this site, stunt fighting is NOTHING like real
fighting. Safety is an issue and so is working
for the camera. Moves have to be ‘cheated’
to ‘look’ good to the camera and unless you
have a background at that, you could get
yourself or someone else seriously hurt. Do not
consider choreographing until you have some
major work in film under your belt. Not to
mention the SAG union covers actors and stunt
players and they would have major issues with a
non-SAG stunt person choreographing fights. No
major film will take that chance.
Now
here is how to remedy some of that. Work with
some student filmmakers in your area. Borrow a
camera and practice with a trained partner and
then look at how the ‘camera’ views it. You
will start to learn why real fight techniques do
not work on film and must be altered slightly to
look right. You can also build a starter resume
by working in student films. Please keep in mind
that in order to do stunt for major movies you
will be in a catch 22 on getting a SAG card. You
need a SAG card to get a SAG job but you need a
SAG job to get a SAG card. All union states are
like this so you will need to work the angles
too. Start looking through trade publications
and find out the names of the Key stunt people
who are out of your area. Find them and send
them a photo and a cover letter telling them
what you told me. You will have to work your
foot in the door like a wedge and then try to
pry it open.
To
your advantage are your training and your age.
Any smart stunt person will know you have a
strong background and the discipline to follow
their lead. Being 33, you are in the start of
the most used age bracket for males in film. Get
your foot in the door and watch and listen and
some day you will be choreographing for film as
well as doing action actor roles.
Let
me know if I can help more!
Michele
From:
chirag lukha
Sent: Sunday, August 01, 2004
To:
advice@karateangels.com
Subject:
I would be grateful if you could help me with
acting.
hi,
My
name is Chirag Lukha, from the UK, I am 13 years
old almost 14, and have always wanted to do some
martial arts acting as i have had 9 years of
experience in the martial arts, achieving a red
sash in wing chun, 7 years of training in
Shotokan karate achieving a black belt and still
going further also i am a black belt in Kempo
karate. Alongside this i have recently started
training in Shaolin Kung fu (9 months ago). As
you can see i am very passionate about the
martial arts.
I
have been in many school performances since the
age of 4 and have done a few martial arts
demonstrations for schools. My dad use to be a
photographer and videographer so i am most
certainly not shy in front of a camera. I also
tech Shotokan karate twice a week alongside my
teacher (sensei) so am not shy to perform or
speak in front of people.
My
mum and dad also believe i am an excellent
actor.
I
would be most grateful if you could tell me how
i could get into martial arts acting on the TV
or in a Film and how i could get auditions with
ought an agent in the UK
Thank
you
Chirag
Lukha
Dear
Chirag,
You
are off to such a wonderful start at a young
age. Good for you. It sounds like you only need
to work on your straight acting training to move
forward. Keep in mind that Mom and Dad are
supposed to think you are the best at
everything. Casting people who hire actors know
who has real training and who does not. You will
need to work on the acting side a bit more and
build a resume as impressive as your MA
background.
I
don’t know what part of the UK you are in but
in and around London there are many theatres and
acting schools. You will need training specific
to camera work but even theatre training will
get you the basics so you only need to tweak
things later. I suggest getting in more of your
schools theatre productions and try community
theatre. Many teen actors started this way and
it can work for you too. Anyone can be the best
in their own school but to compete in the world
you will need a resume that includes some work
outside of school.
As
for getting seen without an agent, that can be
tricky anywhere. Most casting directors will not
look at you unless an agent sent you in. Casting
uses the agents to thin out the masses. The easy
way to help you see this…imagine 10,000 people
sent you their headshot and resume for 10 roles?
What would you do? They do not have enough time
in any given day to sort through so many actors.
The agents take time looking for actors and
start submitting them to casting when they can
‘speak’ for the talent. This is exactly why
you have to find an agent. It can take time but
to your good fortune is your age. Since you are
young some of the agents will take you seriously
even without a big resume, as long as they know
you are training and building your resume on
your own too. Plus being young you have time. I
know you hate hearing that but it can be a major
advantage. There are not a ton of parts for teen
actors and most get played by names already in
movies. Taking time will build a resume while
you get old enough to play lots of different
characters.
Take
heart, nothing happens fast in film. Let me know
if we can help you more and look for theatre
newspapers and other trade publications so you
can learn more about the industry in general and
where to find the best agents.
Michele
From:
Dannymantilla1@aol.com
Sent:
Friday, June 11, 2004
To: advice@karateangels.com
Subject:
Michele
Hello
Mrs. Seidman I'm thrilled about your background
and experience and the way you're helping
aspiring actors like me in helping give our
first steps so first of all thank you so much
for your effort.
My
name is Danny I'm a Martial arts stunt actor,
I'm 27 years old, I'm glad to find this web page
which give me a great perspective to what I'm
preparing for becoming a martial arts actor this
is the journey of my life. Let me tell you a
little bit about my experience, I just set a
Martial Arts World Record Guinness which gave me
the chance to appear in some TV shows doing
demonstration and telling my story, after that I
had the privilege to shoot a martial arts indie
short film, I'll be so happy to show you my
reel. It has explosive action and martial arts
sequences; in which I'm performing kicks for
over a car and kicks about 10 feet of height and
street fighting sequences, as well.
I'd
been practicing 5 different martial arts for 13
years and what I’d been develop is something
never seen before. I have stunt experience and
stage combat. Like you know selling to the
camera etc.
Mom
this is not to impress you but to press upon you
and giving me the chance to show you my reel and
form there asking for your advice what steps
should I’ll be doing next?
So
here's my reel I hope you enjoyed
Thank
you very much.
Let
me share this thought:
"What
we become is what we do for others"
Sincerely
Danny
Danny,
The
reel was not forwarded I am sad to say. I would
not be able to view it on my system anyway (dumb
old machine if you ask me). Since I cannot get
you work or hire you it will make little
difference in my advice.
It
sounds like you have already made a bit of a
name for yourself. It is time to take advantage
of this. Florida has a ton of filming of all
kinds going on and you should start picking up
trade publications for your area. SAG also has
an office in your state and their web site lists
legit agents in your area. I suggest you start
sending them around to as many agents as
possible. Since you have almost no acting
background they will not submit you for
action/actor parts but they may submit you for
straight stunt work or specialty work in film.
No agent will send anyone in for a speaking part
unless they know 100% that person can act or
play the role. They might send you in for ‘one
liners’ until they see you improve or casting
says your getting strong enough for bigger
auditions.
Stunt
coordinators may be interested in you but they
will want you to train more for camera work
specifically. Since I have not seen your reel I
can only assume you have the things mentioned
above on it. As a former agent I can tell you
that is NOT what we want to see. Stunt people
WILL want to see it but not talent agents. Some
agents will look out of respect but they all
know it will not get you taken seriously by
casting agents and they cannot submit it for you
unless it is for stunt work.
If
the reel is home made and the stunts are just
things you shot on your own, no one will view it
seriously. A reel should only have legit work
from film and TV characters or stunt parts
played and not home video footage or classroom
footage. Once more…stunt people will want to
view this, just not casting. It sounded like
there was only one indie film included on your
reel which is a good start but you will need
more legit work for your reel.
Your
next move is to get an agent to sign you.
Without an agent you will only do indie work and
may never get your SAG card. Florida is a SAG
state so that card is as important there as in
NY or California. Start looking for an agent and
when you find one willing to sign you, ask them
what ‘they’ like to see on a resume and
build it accordingly. Agents work for you but
they still hold the cards on opening doors.
Let
us know if you locate one and if you need any
more advice.
Michele
PS…I
don’t remember anyone thanking me like that
before. It is very rare that anyone ever says
thank you and that meant a great deal.
From:
Anthony Dawe
Sent: Friday, July 30, 2004
To: advice@karateangels.com
Subject:
To Michele Seidman
Dear
miss Michele Seidman,
Hi
my name is Anthony Dawe, and im a 24-year-old
guy from Nottingham, England, and I found your
web site Karate Angels. I hope to get into
movies/ Martial arts movies one day, have you
got any good advice for me? As I want to come to
LA. I have been once to the AFM but had no luck.
Look
forward to hearing from you.
kind
regards.
Anthony
Dawe
Dear
Anthony,
You
did not mention in your letter if you had much
background in Martial Arts or acting. Without
knowing a little more about you I can only tell
you the basics. Learn martial arts, get your
black belts and take acting classes. If you
email us back and tell me more about your
background and training I can give you much
better advice suited for your situation. I wish
I could say more now but I don’t have enough
information to go by.
Michele
From:
Danny
Sent: Wednesday, April 21, 2004
To:
advise@karateangels.com
Subject:
Michele
Nice
to write to you Michele,
i'm
a 23 guy from italy, and i'm
searching the way to improve me
in the "martial art
cinema"...but with no
lucky...i train myself since i
was 5, and now i'm a master and
a fighter, too, so i think i'm
able to start a job like this,
but i've to know where start,
and hope to find someone that
could drive me and teach me in
this world...
trust
in you,...and sorry for my
horrible english!!
Danilo.
Dear
Danilo,
I
hope you are near Roma. Cinne
Citta Studios is in Rome and
Dino De Laurentice also has a
studio in Rome. The closer you
are to Rome the better your
chances are. Some of the
greatest films made were shot in
Italy from the classic Ben
Hur to the more recent Gladiator
and
Gangs of New York.
You
may have trained yourself but
you will need to add more
training. You must learn the
styles of fighting they use on
movies sets. If you do your own
style it may not work out in
every case. Do some research on
stunt coordinators and see if
you can contact them. You may
also intern (work for free to
train their way). Interning is a
great way to get your name
known, learn new fighting styles
and make the best contacts for
getting work later. You should
have some living money put away
to do this.
It
will not hurt to make some
pictures of your self with a
letter telling about your
background and desire to be in
martial arts and action movies.
Then send it out to the stunt
coordinators who are in Italy.
Don’t try to contact them by
phone, use mail. If you hear
nothing from them…wait six
months and try again by mail.
Even if they do not
answer…they are beginning to
know your name and that you
don’t give up…and you are
not bothering them all the time
either. Over time they will
notice but you will have to keep
trying. It will not be easy. It
takes time. You are young enough
that you have plenty of time.
Some of the best action actors
are well over 30 and 40 years
old!
Best
wishes
Michele
From:
Mr notra damus
Sent:
Wednesday, April 07, 2004
To:
advise@karateangels.com
Subject:
Michele
im
a martial artist /actor i been
doing martial art for 12 years
how do i go about being any
martial art project ar action
movie or show?? i been trying
but i never see any projects
that requires that???
Dear
Mr notra damus
You
don’t see any projects that
require stunts? Where are you
looking? There are films made
with stunts every day in the
states but you will need to
check the right publications and
learn names. You see, they often
list the name of the key people
like directors and stunt
coordinators. They do not list
‘seeking stunt people’ so
you must learn who hires stunt
people by name. If you see names
like Terry Leonard or Pat
Johnson on stunt or as second
unit director…the film is
using stunt people. If you see
the last name Epper
anywhere…most likely there
will be stunt work. See the name
Ernie Orsati…stunts will be
shot. You need to check film
trade listings in publications
like the Hollywood Reporter,
Variety and Backstage. If you
are looking online…don’t
hold your breath. Few castings
for films are done on the web.
As a matter of fact…I am
willing to bet that you cannot
find one major name in the film
industry that got their first
bookings online. They need to
see you in person so the legit
films do not look online. Online
casting is normally for reality
TV or casting calls for
extras…not for actors or stunt
people. If you cannot afford a
subscription…go to a library
every week to check the new
listings. Hollywood reported
does have a web site but they do
not list everything on it. You
will have to read through the
actual publication.
Break
a leg and let us know if we can
help you further!
Michele
Michele
From: Lucas, Jonathan W
ABF2 VAQRON ONE TWO NINE
Sent:
Friday, February 27, 2004
To:
advise@karateangels.com
Subject:
Michele
Just
have a couple of questions for
you.
What is the youngest age
that would be considered for
getting into the martial art
movies and how far could a
person live from LA to actually
get a part.
My
daughter just got her black belt
in Tae Kwon Do and she is on
their Demo team.
My sons are also
involved.
We have been to a Talent
and Model Agency and they said
since they have "the
look" that would be no
problem for them to get some
work in ads or commercials.
We have headshots that
they took but I was just curious
on those couple of questions.
Thank
you for your time
Dear
Jonathan,
Age
is a number. Cop out? Yes and
no. They do use kids on rare
occasion but it is not as
standard as using a grown up who
looks like a child in size from
a distance. There are so many
labor laws involved when using
child actors, add to that
insurance rates for stunt work.
The seldom let young actors do
their own stunt work. Rarely if
ever do they hire a stunt player
under 18. There are rare cases
like Ernie Reas Jr. (Teenage
Mutant Ninja Turtles II). In
that case his father is a stunt
man and Ernie grew up doing
martial arts and learning movie
techniques from birth. You would
be surprised to know how many
short adult stunt people work
doing child actors stunts. Heck,
a short adult stunt person with
a smaller frame should make
major bank. If you are not in
L.A. it is always harder.
Some
agents outside of California do
have the connections and
sometimes they do get people
seen. The odds are just not as
good if you are not right in
L.A. or a major market like NYC.
If you are near one of the
larger cities, your odds
increase. But good promotion
goes a long way too. You can do
much of the promotion yourself
and if you get a few books you
might be able to manage your
kids instead of handing them
over to a stranger. I normally
say go with an agent, and it may
still be the best start for you,
but with 3 kids doing this…you
would be able to look after
their interests much better.
Read Hollywood
101 by Levy, What
Lies I Told by Goldman, and
look for Frederick Levy’s
newest book (cant think of the
title off hand) and Shelly
Winters second autobiography. I
am suggesting a little diverse
reading for a strong over view
in case you do decide to manage
them some day.
I
do not know any of your
children’s ages so I am a
little lost on giving specifics.
Fill us in and I can help more.
In the mean time…don’t sign
with that Agency unless they do
not charge you a dime. Most of
those agencies are about making
money off of dreams and not
actually making them happen. The
agency you mentioned did not
sound like they were making
promises and they seem to
mention work most agents in any
market can get…could be a good
sign. Watch your back and read
the fine print. If you have not
done so…read the main page of
advice here on the site and it
will cover some other basics.
You may even find some answers
within the board replies to
others. If you give me a general
location I might be able to give
a bit more guidance on getting
their feet in the door in your
area to start things right.
Let
us know what else we can do to
help…
Michele
From:
Geedee
Sent:
Tuesday, April 20, 2004
To:
advise@karateangels.com
Subject:
Michele
Angel,
what
the best way to audition for
power rangers? I have a strong
background in martial arts &
stage performance from the US
Open/ XMA
w/ Mike & other
performances I've done here in
Florida. How can I audition for
power rangers or something?
Dear
Geedee,
Purchase
the Ross Report through the
drama bookstore in NYC and look
for the name of casting for that
specific show. You may also
check the credit roll at the end
of the show to find the name of
the casting company. Even if you
manage to find them, you might
not get an audition without an
agent to submit you. You are in
Florida which has SAG agencies
that follow guidelines meant to
protect the actor. Go to their
web site (sag.com) and get
listings for legit agents in
your area. Plus…stage trained
actors don’t always get film
work. Take some classes on film
acting. The technique is NOT the
same for stage and film.
Best
wishes
Michele
Sent:
Sunday, May 23, 2004
To:
advise@karateangels.com
Subject:
Michele
Hi,
my name is Anneken De Neve.
I
am the agent (in Belgium) for
Olivier Bisback, a Belgian fight
actor and model.
At
the age of 12 years old Olivier
Bisback started studying martial
arts. He dreamed to become a
champion and to starr in movies.
In both he succeeded by working
hard and believing in himself. I
have been working several years
as his agent.
He is a hard-working and
enthusiastic young man, full of
enthusiasm and energy who has
built up an amazing carreer in
Belgium as an actor, fight
coordinator and fight
choreograper. He already worked
in Hollywood, London, Paris and
Brussels. Actors he worked with
are Bill Paxton, Billy Blanks,
Miche Qissi (from ‘Kickboxer),
Silvio Simac, … I am
completely sure that he can have
a great carreer overseas.
I
have no connections in the USA.
Are there agents in the USA who
are specialized in martial arts
movies? I would like to help
Olivier Bisback to thank him for
all the years we have been
working together.
Olivier
Bisback speaks Dutch, French,
English and German.
About
his martial arts skills. He is a
master in taekwondo (black belt
4th dan), hapkido (black belt,
first dan) and instructor in
cinema combat training. Martial
arts he also have practised
during the years are : kick
boxing, nunchaku, ju jitsu,
judo, karate, budokaido, kobudo
(sticks, tonfa, sword, ...).
Enclosed
you can find some pictures of
Olivier Bisback. I also have a
showrail and demotape. If you
want, I can send a VHS or DVD to
you.
Dear
Anneken De Neve,
It
sounds like you are a very good
agent. Ever think of coming here
with your client? Together you
might be one strong force to
deal with. There is only one
small agency I know of working
with action/actors only. I have
not heard of anyone getting a
real strong job out of it yet so
I am still not giving out their
name. If you can contact the
Drama Book Store in NYC (online
or by mail), order a copy of the
Ross Report. It is a monthly
publication that lists all the
major agents. Since agents often
jump from one company to another
they have to change the listing
in the report every month. Send
the agents mail every few months
if you hear nothing. Make sure
you include your email with your
phone numbers so they do not
have to pay for phone calls over
seas…they will adore you for
making it easier. That DVD copy
of his demo will come in handy
to save shipping charges but
check carefully on the Ross
report listing. Many will say
exactly which format they will
view, video or DVD. With your
client’s background and resume
I think it will be easier for
you to find a strong agent for
him. He may need to plan a
vacation here with you setting
up meetings in advance. The
money conversion
rate is great for you all right
now making it a good time to
think about taking advantage of
low rates.
For
yourself…remember this term
“Mother Agent”. If you get
him signed to an agent in the
states, you can make
arrangements to still make some
of the money from this client.
The new agency will give you a
share of their proceeds for a
specified amount of time. It is
a way of thanking you for
getting them the talent but also
making sure you do not get
screwed over after you worked so
hard to get him known. If your
client cares, he will encourage
you to do this. It will not take
more from him.
Let
us know if we can guide you
further…
Michele
From:
Joseph R McManus
Sent:
Saturday, May 29, 2004
To:
advise@karateangels.com
Subject:
a few questions
Hey
My name is Joe-
I
am a fourteen year old boy
living in Denver Colorado. I
love it out here! I was
wondering if I would need to
move to L.A. or NYC to get any
jobs in front of the camera (no
modeling though!).
The Denver Center Theater
Company is really good thought
and really close to my house. I
really don't mind whether or not
I start my career on stage or on
screen, I just would like to
start it! I was also wondering
what the story was with going to
"acting schools"
because I hear a lot about
actresses and actors my age who
don't have much, if any
experience. (Maybe I'm wrong,
but I think I hear the announcer
for the program telling the
audience how some of the Harry
Potter
stars and the girl from Whale
Rider had no experience!?)
Finally,
what would you say the success
rate is for "aspiring
actors" like myself?
Thanks
a bunch, Joe M
Joe,
Since
I don’t know what training you
have or what you look like or
what your strengths are, I
cannot tell you what the odds
will be for you. I can tell you
that less than 1% of actors are
rich. Another 14% make enough to
pay their bills. The other 85%
make less than $5,000 a year. No
typo there…$5,000 or less. So
anyone’s odds of making it are
very small indeed. Yes once in a
blue moon you hear about a child
star with no background. Funny
part is…half those kids do
have a background if only in
trying out and auditioning for
films, commercials and stage.
Plus you have to remember
something called ‘spin’. The
marketing people for films put
what they call a ‘spin’ on
the story to make people want to
see the project even more.
Daniel
Radcliffe (Harry Potter) is
listed on the IMDB (internet
movie data www.base/imdb.com
) for 2 major projects prior to
the Harry Potter films,
including Tailor of Panama in
2001 and David Copperfield in
1999. They do not give lead
parts to any kid who has not
proven they can handle being on
a set all day. Emma Charlotte
Duerre Watson (Hermione Granger)
did the lead role in several
plays, including 'Arthur: The
Young Years' and 'The Happy
Prince'. Emma also participated
in other school productions,
including the Daisy Pratt Poetry
Competition, in which she won
first place for her year at age
seven. So you can see…even if
they were new to this, they were
not without SOME experiences.
Check the facts when you see
stories like that, because that
spin can give false hope. Rupert
(Ron Weasley) had the least
experience. But notice the lead
went to the young man who HAD
proven himself on film sets
already.
In
the case of Whale Rider they had
to take a chance. They needed a
child actor who looked a very
specific way. They went to the
islands to find a child who
looked right for the part and
could also play it. They
auditioned hundreds of kids at
her school and she won out. She
happened, by a stroke of luck to
be a dead on natural talent that
made even us jaded grown ups cry
like babies. This would not have
happened if they had said the
child could look like anyone.
They would have tried to find a
star with a background already.
There are not always films where
they look for one particular
type of child like that.
Decreasing odds this will happen
to most actors.
Most
films look for the actors who
have ‘bankability”…meaning
they have a proven track record
of movies they are in that make
money. The producers actually
keep track of which actor’s
films made how much money just
so they can use the actor who is
making the most right now! Loans
for making movies are often
based on what stars they get
under contract. Distribution
deals are also made based in
large part on what known stars
are in the film. That is a hard
cold fact of the industry, money
talks and loudly.
I
am not saying it can never
happen, just that the odds are
against being ‘discovered’.
The vast majority of actors who
make names for themselves did
take film training classes, or
went to Schools of the Arts or
colleges and universities with
strong theatre departments and
many started doing stage in
their local communities or
schools. That is how I started,
doing local theatre and school
plays and working my way up. I
had to add the film training
because I found out very early
that stage techniques do not
work well on film!
You
have such a great theatre right
in your own backyard to take
advantage of. Don’t expect
leads right away. If it does
happen consider yourself lucky
and don’t get so sure of
yourself you don’t learn new
things. You are young enough to
make good use of your time.
Build a resume and you will
learn more as you go along. As
you age and your resume
grows…your odds will always
increase!
Let
us know if we can help more….
Michele
Sent:
Saturday,
January 03, 2004
To: advise@karateangels.com
Subject: Michele
hello my name is
kofi nsafoah
im
an actor and
martial artist
I’m trying to
find work i live
in ny city my
only lead is
backstage. I’m
trying to find
an agent and
that’s hard
they always want
to charge you or
make you take
more pictures
even though i
have them with
their
photographer any
advice you have
or help will be
greatly
appreciated
Dear
Kofi,
DO
NOT GIVE ANYONE
MONEY. Those are
not good agents
if they want you
to pay them.
That is not how
it works. A
legitimate agent
only takes money
from you after
they get you
work. That
averages 10% of
your earnings.
Any agent that
asks for money
up front is not
a good one. You
should be
working with a
private coach
like Bob Luke of
the Bob Luke
Acting Studio in
NYC. A private
coach can tell
you how to build
a resume that a
good agent will
take seriously.
A good coach
will also know
many agents and
can help you
open some doors
along the way.
There
is a possibility
that a good
agent will want
you to take new
pictures anyway.
It is possible
that they
require a
certain format.
But…and this
is important to
remember, a good
agent will give
you several
names of
photographers to
pick from. They
will not ask you
for any money at
all.
REAL
agents are
listed in a
little magazine
published
monthly called
the Ross Report.
You can easily
find a copy at
the Drama
Bookstore in
Manhattan. If
the agents in
question are not
in that
book…then they
are going to
scam you out of
money. Real
agents will not
take you as a
client at this
stage in your
development. You
must build a
resume and get
training. Do not
put the cart
before the
horse. You are
in NY and it is
very
competitive. If
you try before
you are ready
you may get
crushed in the
stampede.
Back
up and take this
as seriously as
getting a law or
medical degree.
You would not
cut open a
patient until
you had studied
many things.
This business is
no different.
Get out there
and bust your
butt and show
them what you
are made of. Pay
your dues, hone
your craft,
learn how the
business works
and no one will
be able to stop
you.
Sincerely,
Michele
Sent:
Saturday,
January 31, 2004
To: advise@karateangels.com
Subject: karate
and gymnastics
Hi,
I am 15yrs old
and am brown
belt in karate
and have done
gymnastics. I am
willing to do
fight, jumps,
fire, highs, any
dangerous stunt
scenes I would
like a career in
stunt acting
because it is
exciting and
would be
something I
really enjoy. I
cant seem to
find any stunt
schools close to
me do you know
any in England
near Derby
(shire).
Thank you
Danielle
Dear
Danielle,
First
and most
important…take
the word
dangerous out of
your vocabulary.
Stunt work and
martial arts
actors are very
much in to
safety. No
stunt, no matter
how dangerous it
looks, should
ever be
considered
dangerous to the
person doing it.
Safety
precautions are
taken in every
high, fall,
knock down, car
chase, etc…to
remove all
danger. Stunt
people want to
work again the
next day.
The
fact you have a
martial arts
background and
gymnastics makes
you a strong one
to watch. You
will have more
versatility in
what work you
can do. I have
not heard of any
stunt schools in
England at all.
Most stunt
schools are not
very good. They
are often not
certified and
many of the
instructors have
only done one or
two films ever.
Most stunt
coordinators
avoid people
trained in stunt
schools. The
reason is very
basic. Every
stunt
coordinator
wants to know
you will do it
their way. Many
people who come
out of stunt
schools stand on
set wasting time
while they says
things like
“That is not
what my teacher
said”. Every
minute on a film
costs a ton of
money. They want
you to follow
their lead and
not some
teachers.
How
far are you from
London? Me
geography for
the UK has gone
downhill since I
have been away
from school so
long. Movies are
made in England
all the time.
Take a little
time to research
online where
they film
mostly. Then
start looking
for which films
they shot that
included stunt
work of any
kind. Rent those
films or look
them up online
to find out who
did the
‘key’ stunt
work. Also check
out Second Unit
directors on
| | | | |